Meet Anna, a thirtysomething Midwesterner living alone in New York City. A schoolteacher by day, she is a medium by night, covertly helping people reunite with their lost loved ones. Anna leads a double life, guarding her secret as much as she guards her heart—until Edward, a gangly yet quietly handsome concert pianist, moves into her building. Edward’s music fills Anna’s apartment with beautiful sounds that disturb her concentration and her lines of communication with ghosts. She and Edward fall for each other fast, but Anna is conflicted: By exposing her true identity, does she risk losing what may be her true love? And is music really his true love? Then a ghost begins to interfere—Mozart’s ghost—and while making a pest of himself to Anna, he begins to play matchmaker with unpredictable results.... An enchanting and irresistible love story in the tradition of Sue Monk Kidd, MOZART’S GHOST will win Julia Cameron a whole new galaxy of fiction fans.
Anna talks to dead people--and she makes a decent living from it. Teacher by day, genuine medium by night, Anna is content with her life as a single woman in fabulous New York City, until Edward, a piano virtuoso, moves in downstairs--and with him comes an insufferable, aggressive ghost who'd like to remain anonymous. Edward's music disturbs Anna; the pushy ghost orders her around--suddenly her life isn't her own anymore. Kirsten Potter's whimsical performance makes Anna's conversations with her ghostly visitors acerbic and charming. Potter allows Anna's edgy temperament to show while still managing to keep listeners wholly on her side. Cameron's writing is crisp, her plot is original, and Potter's reading is choice. S.J.H. (c) AudioFile 2008, Portland, Maine
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